Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother’s murderer who also kidnaps people for money. Cetarti’s path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte’s dark dealings, leading to an absurd and unexpected outcome.
Based on the novel by Antonio Di Benedetto. Don Diego de Zama, a Spanish officer of the 17th century settled in Asunción, awaits his transfer to Buenos Aires.
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare’s “A Midsummer Night’s Dream.” Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
At a Latin American Presidents’ Summit in Chile where the region’s alliances and geopolitical strategies are shaped, Hernán Blanco, the president of Argentina, lives a political and family drama. Through his son in law, he’s implicated in a corruption case. On her father’s call, Marina Blanco, attends the Summit to find protection, to earn time and to negotiate a way out. Once the thriller starts to build up, the film drifts towards a different direction: a search in their mutual past, as if in the past, a key to understand the significance of the exercise of power could be found. The history of a father versus that of his daughter. That past once calm and domestic, becomes a menacing element, almost fantastic, seen from the top of public life, seen from the Summit.
A sexy, romantic and uncomfortably chilling tale of love and deception from first time director Marcelo Briem Stamm. Handsome middle class Manuel (Patrico Ramos), hurt by his previous relationship and bored being alone, meets Julio (Mario Veron), a rugged, lonely, unemployed young man in a chat room. The two eventually meet up in person and the sexual spark is quickly ignited. And while sex is satisfying and frequent, it is their collective problems with intimacy, trust and the fear of being hurt that make them hesitant to commit fully. As their relationship develops, both reveal secrets from their past but these revelations might be real, imagined or outright lies. Who is being truthful, who is real, and who truly loves the other? All is revealed in this romantic, passionate drama/thriller that offers a shocking, strangely satisfying conclusion.
Tomás Kóblic, a former pilot and captain of the Argentinian Navy, disobeys an order and becomes a fugitive in order to survive. He chooses to hide in a small town in the south of the country, where his presence will catch the attention of the unscrupulous and violent local marshal.
Sebastian (Hendler) meets Natalia (Bertuccelli) when trying to steal an important piece of art from a museum, and she wins the hand. Rivals declared, the two have to work together later in a robbery more complex: a valuable and unique bottle of Malbec from Bordeaux in the mid-nineteenth century, listed as one of the best wines in the world and jealously guarded in the vault of a bank, in Mendoza. In a world full of glamor, between vineyards and mountains, the thieves will have to display their magic, but while preparing discover theft, each to his own, that nothing will be as thought
Two men kidnap the daughter of businesswoman Claudia Villegas. They take her out of the city and keep her locked up, while awaiting further instructions. The boss realizes that Villegas’ daughter was never kidnapped and sends two men to the abandoned factory to clarify what happened. Upon arrival, they find the girl, hooded, and tied to a chair. There’s no clue of the kidnappers either. Slowly, someone appears – they say that the heart can not feel once it’s stopped beating
Virginia will do the impossible in order to rescue her little daughter who has been abducted. After a terrible accident, she has the chance to live one day more to save her. On her path, she will find out that there are worst thing than death.
The story of Daemonium begins in an alternate universe to ours, in which magic and technology coexist with humans and demons. A powerful family hires a band of mercenaries and forces Fulcanelli, a wizard and con artist, to invoke a demon with the purpose of gaining even more power. Of course, things go terribly wrong. The wizard escapes and the demon slaughters the mercenaries, with the exception of Razor. He’s the one who seals the deal to become lord of the criminal underworld. The family kidnaps Lisa, his pregnant wife, and turns her into a merciless killing machine and the spear point of their offensive against Razor. But she’s not the only threat to the crime lord. It’s only a question of time before the demon returns to claim Razor’s soul. Fulcanelli seems to be the key to stopping the demon and Razor sends out his band of sexy killer robots to find him.
After refusing big and prestigious awards all over the world, Mr. Mantovani, Literature Nobel Prize winner, accepts an invitation to visit his hometown in Argentina, which has been the inspiration for all of his books. It turns out that accepting this invitation is the worse idea of his life. Expect the unexpected when you have used real people as characters in your novels!
The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.
An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.
In the year 2025, the ozone layer is believed to have been destroyed. It is up to MacLeod and Rameriz to set things right. Opposition comes from both the planet Ziest (MacLeod and Ramirez’s homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez’s exile from Ziest.
Mona, a past student in child psychology, is keen to put her knowledge into practice. She attends an interview and is selected to become a full-time private tutor to two orphaned children, in some remote area of Northern Argentina.
Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.
After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.
On a rainy morning six armed men in disguise rob a bank in Valencia .But what seemed like an easy heist quickly goes wrong with nothing unfolding as planned, and mistrust quickly builds between the two leaders of the gang.
Shot in Spanish and localized for markets around the world, “Tini – El Gran Cambio de Violetta” is set to thrill fans with everything they loved about the worldwide Violetta phenomenon including strong musical elements with new and original tracks, exciting choreography, compelling storylines, and intriguing characters. All made bigger and better for the big screen. The film shows how taking the role in the TV series was a pivotal moment for Tini leading to a personal ‘coming of age story’ about the young actress. In a story that reflects the teen star’s own real life, Tini will leave behind the world depicted in Violetta, striking out alone and embarking on a brand new adventure over one endless summer that will define her as a person and see her emerge as a new artist.
LIVING IN THE AGE OF AIRPLANES offers a fresh perspective on a modern-day miracle that many of us take for granted: flying. Narrated by Harrison Ford and featuring an original score from Academy Award® winning composer James Horner, the film takes viewers to 18 countries across all seven continents to illuminate how airplanes have empowered a century of global connectedness our ancestors could never have imagined.
The disappeared — los desaparecidos — are words that carry special resonance in Argentina. Long associated with the crimes of the military junta of the 1970s, the term takes on a different, but no less chilling, meaning in the hands of filmmaker Pablo Trapero. Based on a true story that rocked Argentina, The Clan tells the almost unbelievable tale of the Clan Puccio, a seemingly normal middle-class family who kidnapped wealthy people off the street, held the victims for ransom, and, once paid, killed them.
María Nieves Rego (80) and Juan Carlos Copes (83) met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations. Now, at the end of their lives, the two dancers are willing to open up about their love, their hatred, and their passion. In “Our Last Tango” Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of the lives into incredible tango-choreographies. These beautifully-shot performances compliment the soul-searching interviews and documentary moments of the film to make this an unforgettable journey into the heart of the tango.