There’s a crisis in the Chinese Spirit World — humans don’t believe in gods anymore! A Door God, facing unemployment, ventures into the human world to prove his worth, leading to unexpected encounters and transformations for humans and spirits alike.
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The villains from the popular animated Disney films are gathered at the House of Mouse with plans to take over. Soon, the villains take over the house and kick out Mickey, Donald and Goofy. It’s all up to Mickey and his friends to overthrow evil and return the House of Mouse to normal–or as close to normal as it get’s.
When Todd takes his girlfriend Cammie up to the family cottage for a reclusive proposal, the last thing he expected to be doing was dealing with was his slacker brother and his hippie girlfriend. But in this comedy of errors, Todd and Cammie, have to deal with his accidentally murdered brother in order to live happily ever after.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress “Simone” to sub for the star — the first totally believable synthetic actress.
A playboy business tycoon, Liu Xuan, purchases the Green Gulf, a wildlife reserve, for a sea reclamation project, and uses sonar technology to get rid of the sea life in the area. Unknown to him, the Green Gulf is the home of merpeople, and the sonar has caused many of them to succumb to illness or die. Xuan’s business ventures in the area are threatened when he crosses paths with the mermaid, Shan, who is sent to avenge her people.
Bob Fosse’s semi-autobiographical film celebrates show business stripped of glitz or giddy illusions. Joe Gideon (Roy Scheider) is at the top of the heap, one of the most successful directors and choreographers in musical theatre. But he can feel his world slowly collapsing around him–his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.
When diabolical genius, Dr. Evil travels back in time to steal superspy Austin Powers’s ‘mojo’, Austin must return to the swingin’ ’60s himself – with the help of American agent, Felicity Shagwell – to stop the dastardly plan. Once there, Austin faces off against Dr. Evil’s army of minions and saves the world in his own unbelievably groovy way.
Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.
The story follows a family of inbreeds that have been afflicted by a genetic disorder known as ‘Merrye syndrome’, named after the family in which the disorder developed. This malady causes it’s victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person’s life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jnr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of it’s home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.